Of course, this photo belonged in last week's review,

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So once again we get to the point where there's only the final two-parter of Being Human left, and it all seems to have rushed past very quickly. Before then, "Puppy Love" by John Jackson, directed by Daniel O'Hara. ( Spoilers for 'Puppy Love' )

Week 5 of Being Human and the same writer as last week but a much better episode; actually not that surprising since "A Spectre Calls" was well-written, it was the basic story I had a problem with. This time it's another fantasy staple, but a much better-handled one: "Hold The Front Page" by Tom Grieves, directed by Philip John.( Spoilers for 'Hold the Front Page' )

So on this week's Being Human, this happened:

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Oh, I'm not happy about this whole thing of Being Human clashing with Upstairs, Downstairs. I mean Being Human's the one with all the repeats so it has to be the one I leave for later, and it's not like it killed me waiting until the next day to watch the episode. But although I had no intention of actually watching the 1am repeat as it went out, ( Read more... )

I had a look in the supermarket today, and it looks like they don't stock Kia-Ora any more. So either Sainsbury's have a problem with Maori-themed soft drinks, or the vampires have got to them. "Being Human 1955" by Lisa McGee, directed by Philip John. ( Spoilers for 'Being Human 1955' )

Big changes, I see, as we go into the fourth series of Being Human, but the show still takes place in a bizarre alternate universe: One in which Michael Socha can drop numerous hints about wanting to move in, and yet isn't immediately welcomed with open legs arms. "Eve of the War" by Toby Whithouse, directed by Philip John. ( Spoilers for 'Eve of the War' )